A Journalist Wanting Words
More than 20 years of interrogating have given me good technique. I research. I charm. Give me 30 minutes and a couple of drinks and I will always get more than the usual tired procession of recycled anecdotes.
However, I am not used to being the interviewee. Hundreds of hours of professional questioning make it feel uncomfortable when it is time for role reversal. Being grilled on the BBC One O’ Clock News holds none of the terror of meeting an unknown journalist for beers and a personal probing.
Beyond contractual obligations, I do not turn down today’s interview because all that experience means there is too much empathy for a journalist wanting words. Given our career trajectories, Matt and I run deep with respect for regional media, the hard slog of provincial press. Having been there and dealt with too many no-listers with egos the size of planets makes you want to be better.
Come lunch, I stop work. Take a break from writing tomorrow’s speech, walk along the canal to my primary local. Buy a strawberry beer, sit in the pub’s library corner and wait on the journo. The strangeness of speaking to inland Oz via a meeting a hundred yards from my home is not lost on me.
The editor of You Magazine is funny and clever, good at what she does. Almost instantly she has me talking about curries with Matt, the black humour of newsrooms and invocating the Cosmic Joker. Both of us ruminate on God’s penchant for fatal punchlines. She offers up the comforting thought that by writing 1001 Ridiculous Ways To Die, instead of dying in some absurd accident, I have probably guaranteed a death 50 years in the future: “Grandchildren around the hospice bed.”
Bonding over Underbelly leads to questions on canalside life and the Lady Love. They do not get dodged. I bore on the spatial shock and casual splendour of Australia. Drift from stories of my lifelong llama curse to views on religious hubris and the evil of hippos. We discuss the interconnectedness of all action, the loneliness of solo authoring and what Matt and I might write next. The paranoiac bible gets a big thumbs up. I just hope when it gets written up, she uses my words on mayfly days and eating the extra chocolate biscuit.
One of the marks of a good interview is it feels like this one – conversation, not interrogation. At the end of it, I come out respecting and liking my questioner. I am even sufficiently charmed to agree to being photographed on the blue bridge. With my narrowboat neighbours behind me, I look into the massive lens and surprise myself with a smile.
Labels: 1001 Ridiculous Ways To Die, Australia, Bill Hicks, Matt Adams, Publicity